"I hardly see Mona as the 'soul' of anything," the girl replied. "But have they made no sound? Have you heard nothing at all?" "They've looked very beautiful, and they've been very beautiful. Oh, I've told her the sort you are!" the young man pursued.!

"Good-bye, Mr. Gereth—I must get on!" she declared with a cheerfulness that she felt to be an unnatural grimace. She broke away from him sharply, smiling, backing across the grass and then turning altogether and moving as fast as she could. "Good-bye, good-bye!" she threw off again as she went, wondering if he would overtake her before she reached the gate; conscious with a red disgust that her movement was almost a run; conscious too of just the confused, handsome face with which he would look after her. She felt as if she had answered a kindness with a great flouncing snub, but at any rate she had got away, though the distance to the gate, her ugly gallop down the Broad Walk, every graceless jerk of which hurt her, seemed endless. She signed from afar to a cab on the stand in the Kensington Road and scrambled into it, glad of the encompassment of the four-wheeler that had officiously obeyed her summons and that, at the end of twenty yards, when she had violently pulled up a glass, permitted her to recognize the fact that she was on the point of bursting into tears. "Is that what he calls it?" She seemed to speak with disinterested curiosity.

Owen's legs, not to mention his voice, had wavered while he spoke, and she felt his possession of her hand loosen so that she was free again. Her stare of perception broke into a lively laugh. "Oh, you're all right, for you will get them. You will; you're quite safe; don't worry!" She fell back into the house with her hand on the door. "Good-bye, good-bye." She repeated it several times, laughing bravely, quite waving him away and, as he didn't move and save that he was on the other side of it, closing the door in his face quite as he had closed that of the drawing-room in hers. Never had a face, never at least had such a handsome one, been so presented to that offense. She even held the door a minute, lest he should try to come in again. At last, as she heard nothing, she made a dash for the stairs and ran up. "And what did you say to that?" "He'll come back to assert himself," Mrs. Gereth had said; and the following week Owen in fact reappeared. He might merely have written, Fleda could see, but he had come in person because it was at once "nicer" for his mother and stronger for his cause. He didn't like the row, though Mona probably did; if he hadn't a sense of beauty he had after all a sense of justice; but it was inevitable he should clearly announce at Poynton the date at which he must look to find the house vacant. "You don't think I'm rough or hard, do you?" he asked of Fleda, his impatience shining in his idle eyes as the dining-hour shines in club-windows. "The place at Ricks stands there with open arms. And then I give her lots of time. Tell her she can remove everything that belongs to her." Fleda recognized the elements of what the newspapers call a deadlock in the circumstance that nothing at Poynton belonged to Mrs. Gereth either more or less than anything else. She must either take everything or nothing, and the girl's suggestion was that it might perhaps be an inspiration to do the latter and begin again on a clean page. What, however, was the poor woman, in that case, to begin with? What was she to do at all, on her meagre income, but make the best of the objets d'art of Ricks, the treasures collected by Mr. Gereth's maiden aunt? She had never been near the place: for long years it had been let to strangers, and after that the foreboding that it would be her doom had kept her from the abasement of it. She had felt that she should see it soon enough, but Fleda (who was careful not to betray to her that Mona had seen it and had been gratified) knew her reasons for believing that the maiden aunt's principles had had much in common with the principles of Waterbath. The only thing, in short, that she would ever have to do with the objets d'art of Ricks would be to turn them out into the road. What belonged to her at Poynton, as Owen said, would conveniently mitigate the void resulting from that demonstration.